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Review: Lou Reed 'Ecstacy'
by Jordan Hoffman

published 4/10/00

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Jordan Hoffman is LeisureSuit.net's Queens-based Senior Editor.



MOST RECENT YAK ABOUT THIS ARTICLE:

Subj: lou
good review, above all , lou rocks.oooh possum

-- edi
Jul 29, 2003 at 8:22PM

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Lou Reed's made a new CD. Yep, it's true. The cover and inside flaps are covered in facial close-ups of what look like Lou Reed money-shots. Somehow, this seems a logical extension of Lou Reed's career so far. Never is a person so bare, and so stupid, as when he's in ecstatic bliss. So the cover and the numerous flaps are a grotesque hoot. I guess I should also talk about the music.

It's hard for me to do. I can't review Lou Reed. Critique Lou Reed? What's the point? Lou Reed creates albums that live in an alternative universe that doesn't rate things as good or bad. Lou Reed's new CD, Ecstacy, gives me immense pleasure. I'll listen to it hundreds of times before I'm through, and choice cuts will live on in future mixed tapes. Don't get me wrong, I think it and nearly everything he's done in his 4000 year career is dreadful, but that's part of, if not most of, the charm.

Lou Reed brings his one and one-half note vocal range and "I can't believe he just said that" poetry to a staggering 77 minute length on this new album. It may be his most labor-intensive work. It does not rock as ferociously as "New York," nor does it have the perfectly crafted tunes of "Set The Twilight Reeling," but I think in its subject and form "Ecstacy" fits nicely between the two masterworks; albums, both of which, I hold extremely dear to me.

We open with "Paranoia Key of E," which has two crunching, gear-shifting guitars (Mike Rathke and Lou himself.) It's got a definite "Tattoo You"-era Stones thing going on. But I think that may just be happy accident. Is Lou precisely sloppy, or is he giving his all? Does he mean to sing that way? We've been wondering for so long now.

The Hal Willner production does a good job of highlighting the low-end. Fernando Saunders is Lou's best bassist since Rob Wasserman. Following where "NYC Man" off "Set The Twilight Reeling" left off, many cuts on "Ecstacy" employ soulful horns. Just some puffs here and there, to create this hyper-electric lower Manhattan Motown. No surprise Sex Mob's Steven Bernstein is behind all the arrangements. The soul practically shatters the irony on "Mad." I say practically, as Lou does still sing, "Dumb/You're dumb as my thumb/In the wistful morning you throw a coffee cup at my head/Scum/You said I'm scum . . ."

"Modern Dance," like "Trade In" from "Reeling," is a sour, yet up-tempo ode to male menopause. Lou has this knack at attaching believability and urgency to the most mundane and preposterous of song lyrics: "Maybe I should move to Rotterdam, maybe move to Amsterdam" is somehow--and I don't know how--heartbreaking. He continues to rhyme Afghanistan with Pakistan. How does he do it? How does he keep the straight face? How do we keep buying it?

Much of it is because of the band. The music just rocks. And, somewhere along the way, Lou's guitar work (along with Rathke's) has managed to define itself. He's got an unmistakable guitar sound like, like, like Stevie Ray Vaughan has his own sound. Even when back with the Velvet Underground, when Lou was changing the world, it didn't seem that he would ever have a guitar sound. Just happened that way.

At eighteen minutes in length is "Like A Possum." It's feedback-heavy, dirge-paced like "Christmas in February," and has the awe of importance that all rock legends lend to eighteen minute songs. I think it's a great ode to the lost days of tough-boy Westies fucking and fighting on the piers at night. Then there are references to crack. Is Lou blending idioms? Or is he just out of touch?

Similarly vexing is the significantly shorter "Future Farmers of America." A treatise on affirmative-action? An actual story about slavery? Just some words that came to mind? Who knows, for sure . . . I do know that it's one of the most thunderous Lou Reed cuts since "Good Evening, Mr. Waldheim."

Why do I love Lou Reed so much? Because he rocks, foremost. Second, you cold hum along to boring, blank lyrics from hundreds of rock songs, or you could say nonsensical, absurd, ridiculous phrases like Lou Reed. What makes him different from Pavement or, say, R.E.M., is that Lou has this inexorable cred as a genius. And he loves to be told he's a genius. He's out there, right now, at some TriBeCa art opening, drinking wine from a plastic cup with Laurie Anderson, being a genius. That his work is so random, that he so well wears the Emporer's New Clothes, we have to love Lou Reed. If we don't love Lou Reed, well, then I see no point in being a fan of anyone anymore.

"I wish I built a cabinet of shiny bolts and wood/Secret drawers and hiding places sculpted out of wood." Can you dig it?


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THE YAK SHACK


Name: edi
Subject: lou
-- Jul 29, 2003 at 8:22PM
good review, above all , lou rocks.oooh possum

Name: kelvin john sargeant
Subject: lou
-- Mar 13, 2003 at 3:34PM
so how old are 12?
Just stick to your boy bands !
If you don't like it you know where the "OFF" switch is?
LOU REED ROCKS !

Name: Kokatoo Kid
Subject: belated comment ...
-- Dec 7, 2002 at 7:48PM
all i can ever say to my mates is "hey, i've got another lou reed album!", and all they ever do back is yawn. everything this master of rockin' ennui has ever done ... well, rocks; unless you really do hate him that is !
cheers to all ambivalence, everywhere.

Name: Kamran Khan
Subject: hi
-- Mar 16, 2001 at 6:13PM
http://www.geocities .com/awaara_boy/Kamr an.html
new single
gonna knock u out from ur feet

Name: colin
Subject: Ecstasy Review
-- Dec 29, 2000 at 11:58AM
As Reed once famously put it, he makes albums for adults. No wonder Lou's week beats our year when we still can't read an album with sensitivity and awareness.

Name: blindSQuiRrelL
Subject: lou reed ecstacy
-- Dec 16, 2000 at 6:00AM
good review....he rocks
...emperors clothes ...
art...etc....
-lou reed-leonard cohen-
pj-big brother-otis-miles-james and tower of power etc....tool,floyd...primus-floater etc....
-ZEPPELIN!
-blindsQuiRelL

Name: Paul
Subject: reviewER
-- Aug 25, 2000 at 11:37PM
Fuck - do YOU actually get paid for this slop.
Paranoia? The stones? COME ON! The only Stone he maybe intentionally (or otherwise) bouncing off is Sly and the Family...

Name: Alex
Subject: This review
-- Jun 19, 2000 at 1:10PM
Have you ever heard any albums by Lou Reed other than New York, Set The Twilight Reeling, or Ecstasy?

Name: Jessica
Subject: This review
-- Jun 16, 2000 at 12:00PM
Yes Mr. Harrison, I, too, had difficulty stomaching this reviewer's opinions. Don't be too hard on him about his writing skills, most people in America are incapable of putting together a proper letter. An apology is in order.

Name: Mr. Harrison
Subject: Review: Lou Reed 'Ecstacy'
-- Jun 15, 2000 at 12:31PM
Is this reviewer retarded? How many conflicting stances will he take in order to be appealing to those who like Lou Reed and to also appeal to those who hate Lou Reed. Get a backbone, study some more music, take a writing class and then try to write a review. But before that, write an apology letter to everyone who had to read this moronic drivel..

Name: Rachel
Subject: LOU in Portland
-- Jun 6, 2000 at 11:59PM
Lou was at his absolute peak in Portland, Oregon last Sunday night. The best I have heard or seen...the entire band was incredible! Hope this is a sign that he is going to stop neglecting his loyal left coast fans.

Name: Jessica
Subject: Review: Lou Reed 'Ecstacy'
-- Jun 5, 2000 at 5:33PM
Okay, enough of this Modern Dance talk for now. You are right, Mystic Child does kick ass; but, all things considered, my very favorite is Paranoia Key of E.

Name: Jordan Hoffman Responds
Subject: Re: Reply to Jordan Hoffman
-- Jun 5, 2000 at 4:10PM
Enough of this Modern Dance talk---it is Mystic Child that is the most kick-ass song on the record. No arguements there, I am sure.

Name: Jessica
Subject: Review: Lou Reed 'Ecstacy'
-- Jun 5, 2000 at 3:42PM
Jordan,

The transgendered thing - to those unfortunate enough to be burdened with it - does not go away. The parenthetic note in my previous mailing to you was a simple courtesy to Lou. You shouldn't use the word reduce with respect to my commentary and, I maintain Lou did intend the song to be about about gender confusion (nothing to do with a kilt - that's just Lou being silly), though I've never heard his comments on any of the individual songs, he told me that I was in for a treat when I played the album, and I do not think the song could be about any thing else. How am I to defend that - it's my interpretation...he is mentioning various cultures all of which make very strong distinctions between men and women..."the roles are shifting"..."you don't know who you're with"...there are not many specifics to which a regular person could relate. Play it again with these things in mind.

If I'm invited to Laurie's next BAM event and I'm able to attend I would like to discuss this with you.

Name: Jordan Hoffman Responds
Subject: Re: Reply to Jordan Hoffman
-- Jun 5, 2000 at 3:03PM
Jessica--

I'm aware of Lou's transgendered days. I think to reduce "Modern Dance" to gender issues is to not give it enough credit. The lyrics are vague, purposely so, I believe. Perhaps Lou intended the song to be about gender confusion, maybe you even heard him say so on NPR or something. But to pick up the disc and hear it for the first time and declare it to be about gender issues is absurd. Other than a line about wearing a kilt, what specifically are you basing this on?

Oh, and, yes, I live in New York. Maybe we could discuss this at Laurie's next BAM event?

Name: Jordan Hoffman Responds
Subject: Re: Reply to Jordan Hoffman
-- Jun 5, 2000 at 3:02PM
Jessica--

I'm aware of Lou's transgendered days. I think to reduce "Modern Dance" to gender issues is to not give it enough credit. The lyrics are vague, purposely so, I believe. Perhaps Lou intended the song to be about gender confusion, maybe you even heard him say so on NPR or something. But to pick up the disc and hear it for the first time and declare it to be about gender issues is absurd. Other than a line about wearing a kilt, what specifically are you basing this on?

Name: Jessica
Subject: Reply to Jordan Hoffman
-- Jun 5, 2000 at 2:47PM
The song is about gender roles as they vary in different parts of the world. If you don't know Lou has (or at least had) gender issues - you've not been paying attention all these years. Are you in New York also?

Name: Reid
Subject: lou
-- Jun 2, 2000 at 1:12AM
try rhyming "sewer" and "peculiar" off Coney Island Baby, that beats orange and door hinge in my books... sadly he has not written much of import since Romeo Had Juliet for my money

Name: Jordan Hoffman Responds
Subject: Re: Modern Dance
-- Jun 1, 2000 at 6:40PM
I like the song, honest I do. . .but what is it about if not rich urban male menopause?

Name: Jessica
Subject: Modern Dance
-- Jun 1, 2000 at 6:26PM
Oh, and I find your interpretation of the song's meaning amusing...that is so obviously not what it is about.

Name: Jessica
Subject: Lou Reed
-- Jun 1, 2000 at 1:54PM
Every thing Lou does is good...he's Lou.

Name: Gary
Subject: Ecstacy
-- May 20, 2000 at 11:13AM
Saw Lou last night in the Albert Hall, London, Uk.
Absolutey brilliant. Shockingly good. Hadn't heard the album but I danced all night. Gave us two encores too including Sweet Jane and Perfect Day.

Cheers Lou

Name: Thomas Birch
Subject: Ecstasy (in a way)
-- May 18, 2000 at 8:39AM
Yeah! Funny review! Yeah, Lou's crap! Yeah, Lou's brilliant! Yeah, I'm going to see him play the Albert Hall tonight! Yeah!

Name: bosh
Subject: moonage
-- Apr 22, 2000 at 3:54PM
Hey Idiot, I've seen him drink wine, even while having his ass kissed by know nothing critics

Name: moonage
Subject: jordans review of ecstacy
-- Apr 16, 2000 at 6:20AM
I love Lou too, despiite some of the trite lyrics it all comes together and the whole package makes so much sense!
Don't imagine Lou would like the image of wine drinking - from any kind of cup...he and I don't do that kind of thing to ourseves anymore

Name: Earnie
Subject: Lou
-- Apr 11, 2000 at 8:41PM
I first heard Lou on a Sunday am- Side 1 "Rock and Roll Animal" played on a college radio marathon. Hooked then and hooked now. The new CD is amazing. It draws you in as it spits you out. Speaks of frights and delights and you wonder if you are going to come away from a listening with a distorted view of the world or a more accurate perspective of life. Buy it and be challenged.(ps love the review)
Earnie


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